I’ve always considered outlines to be kind of artificial.
There was this glorious, wondrous idea in my head of what a real writer should be and how they should strive to preserve their vision in its purest form. It sounds like some kind of romantic period ideal when I write it out like that, but I felt that outlines boxed a writer into a set of events that might need to be changed to better fit the story.
They weren’t something bad writers did as much as they were cheating, at least in my mind.
Now without much development on the writing front I’ve started to watch a lot of videos and read a lot about other writer’s methods and Jenna Moreci said something in one of her videos that stuck with me: writer’s that outline should plan their story back to front. Start with the ending and you’ll know what leads to where. If you work on the characters in conjunction with the actual outline there’ll be less chance of you needed to make up stuff on the fly when you’re actually writing and less chance of writer’s block.
My ending is something that’s worried me. I’ve never been good at endings, though when I come up with something it fits so well. Problem is that I go back and edit all over the place to shape the story around it.
How much editing do I do? Well, my last completed novel ended up shedding three whole chapters when I went back and edited. I read three whole chapters and realized that the problem created and solved in the space of thirty double-spaced pages could be dropped with no consequence to the rest of the book.
That’s exactly the kind of thing that an outline would protect against.
The problem becomes how to even do an outline. I have bits of a story written, some of it out of order and all of it related. I need to outline the parts in between and see what still needs to stay. Outlines are something I never learned to do because even in school the teachers realized that I could keep my ideas straight and in order for five to twenty pages, but when we’re talking about two to three hundred pages things get a little harder.
So this is where we are: I have to learn how to construct an outline and plan a concrete ending. I have the idea of an ending, but I need something thematically fitting and something the events around my story build to. If I find that the events I have planned out or written out don’t fit that theme I have to cut them or repurpose them for a later project.
It’s time to get brutal with it and stop letting “I can’t” be an excuse. I would suggest that anyone who hasn’t checked her out, give Jenna Moreci a glance. Also, if you do outline any tips are welcome.