This might not be my longest, most drawn out entry, but I came to a realization today when I was out talking with a woman. The whole crux of what I’m saying rests on an understanding of what the movie “Get Out” means to me, but not necessarily the specific plot points of the movie.

What made the movie such a huge deal for me was the way that it seemed so different from other movies, namely in that it chronicled experiences that I felt were things that only I had felt. It got into a personal space for me and put those things up on the screen for audiences of millions of people who might not have the same life experience.

And people loved it.

That’s the problem with Hollywood character representation. We have your “Get Outs” and your “Atlantas” and these things show a side of minority life that we don’t often see. A lot of film execs say things to the affect of “white audiences just don’t like to see minority characters” and that puts unfair blame on white audiences at large.

The real issue is that a lot of minority characters are stock types and they don’t seem genuine. Sure, there are going to be some bigots who don’t accept characters like them, but the writers are writing them and using other media they’ve been exposed to as a template and since there’s always been poor minority representation in movies it comes off as a parody of a parody of a parody. The real person there gets distilled down to a set of tropes that people are tired of seeing. White audiences are tired of it and so are audiences of color.

But the problem isn’t the white audiences don’t know how to accept those unlike them, the problem is that writers aren’t writing characters that should be accepted.

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